#the night thief

[digitulart]

(night parade au by @/staticcl1ng on twitter) i got way too excited by the concept and im just doing whatever with it now. its like The Guy Who Didnt Like Musicals but with clowns instead of songs

concept art belowww. designs are not official but character interactions are

[buddie-buddie]

“So,” Buck says, blinking up at Tommy. He still hasn’t gotten over how good that feels– looking up at his partner. Being with someone whose warm, protective hand settles on the small of his back and nearly spans the distance between his hips. Someone whose big, strong arms envelop him when they hug, someone who can tuck Buck into his chest almost effortlessly. Someone who makes him feel grounded, protected, safe. In more ways than one.

“So,” Tommy returns the word, accompanying it with a warm smile, the kind that reaches all the way to his eyes and makes them sparkle as he looks down at Buck. 

“You met my parents,” Buck says with a laugh, because really– how could he not? It’s a little ridiculous, now that he’s saying it out loud. “On our third date.”

Tommy nods, leaning against the wall outside of Buck’s front door. “Mhmmm,” he hums, watching Buck with a fond smile as he fumbles for his keys. “Sure did.”

It takes a minute, but Buck finally manages to get his keys out of his pocket and into the lock. Tommy is nothing but patience and fondness, watching him with a sparkle in his eye that makes Buck feel warm all over. When he finally gets the door open, Buck’s chest swells as Tommy’s big hand comes out to hold the door open for him, nodding for him to head inside first. 

That’s a first. Buck’s stomach flips, a warm, pleasant feeling skating across his skin as he pulls his key from the lock and steps inside. It’s the same feeling he had on their first date when Tommy pulled out his chair before he sat down. The same one he had the first time Tommy texted him Be safe at the start of a shift. 

A smile tugs at his lips as Tommy follows him into his apartment and the door clicks shut behind him. There’s something so simple about it, something so mundane and normal and domestic that it makes Buck’s head spin and his heart pound against his ribcage in the very best way. He wants this again. And again, and again, and again. Wants to come home with Tommy. Come home to Tommy. Wants the door to close behind them, wants to leave the world outside and exist only in this world here, in the one with the warm glow of the kitchen lights casting shadows on Tommy’s face as he toes his shoes off beneath the bike that hangs on Buck’s wall. The one where he pulls two beers out of the fridge and sets them on the counter, and Tommy opens them wordlessly, the silence comfortable as it stretches between them. The one where the necks of their bottles clink and their knuckles brush and Buck’s skin hums and his heart sings from just one small taste of Tommy’s skin against his. 

Buck’s the one to break the easy, comfortable silence. He does it with a small laugh, just shy of a giggle, as he thinks back to the look on his mother’s face when he walked into Chim’s hospital room with Tommy by his side and she connected the dots. “You were covered in soot.”

“Wasn’t the only one,” Tommy points out, grinning against the lip of his beer bottle as he takes another sip.

keep reading on ao3

[helpallthenamesaretaken]

ok but what happened after annabeth ran away? how did frederick and the other lady react when one day, they woke up and their outcast child/stepchild (who is btw 7 YEARS OLD) wasn't sleeping in their bed? Did they NOT launch a police hunt for her? did frederick actually care but then the other lady shut it down? how did they feel as time passed and how did they live knowing that somewhere out there, a CHILD was dead or homeless and probably hunted down by monsters (which they knew all too well about) because of them? or did they both just brush it off as another burden off their shoulders, a blessing that was greater than annabeth's birth?

[notbecauseofvictories]

it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.

and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.

but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?

[inkly-heart]

Ville and Y/N

[cammy-mcspammy]

New hyperfixation bcccccc errrrmmm why not

[triflesandparsnips]

Accidentally started rereading Northanger Abbey, and was sudden reminded all over again that Jane Austen is, in fact, fucking hilarious.

NA is her parody/satire of Gothic novels at the time, and she starts the book by choosing violence-- she describes the "tragedy" of the main character, Catherine Morland, a girl Determined to be a Heroine even though ALL ODDS are against her: she has a sane father who doesn't lock up his daughters, a healthy mother who didn't die in childbirth, no preternatural talent for music or drawing through which to reveal her Deepest Soul, and-- most shockingly of all-- absolutely zero love interests for whom she can wander the hills mourning their starcrossed fates until she wastes away from the sheer Sentimentality of it all.

But don't worry! She's got this FIGURED OUT. She KNOWS why she has not yet found her TRUE LOVE:

There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.

But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.

(SPOILER: She is introduced to a mysterious young man who lives in an ABBEY, which everyone knows means he has a DEEPLY MYSTERIOUS SECRET PAST and is maybe a TRAGIC HERO or even a ROMANTIC MONSTER and either way this is IT this is Catherine's TIME TO SHINE she is going to get a good grade in DOOMED LOVE, a thing that is normal to want and--)

(...meanwhile Henry Tilney-- an ordinary guy who never expected "get cast as the Hero in some Grand Gothic Romance" to show up on his bingo card-- starts wondering when exactly he started finding Catherine's attempts to locate bloody daggers in his linen closet charming.)

[sexiestpodcastcharacter]

Bonus Poll — Sopping Wet Cat

[nightvale-radio]

[raynecloud06]

Vague idea I have for a Project SEKAI AU; Mizuki Akiyama and Tsukasa Tenma as infamous phantom thieves, who are often used as the subjects of renowned painter Ena Shinonome's work.

[delusionalmultifandomwriter]

Colour theory (fluff)

Luke Castellan x gn!reader fluff

Prompt: Luke comes into your cabin at night for some cuddles... and to discuss eye colours

My first PJO post, im excited and i hope you like it!

Requests are open, dont be shy :)

Masterlist

You drowsily blinked open your eyes, the moon light was shining into the cabin. It was late at night, noone was up yet. You could hear the soft breathing of your cabin mates. You turned around with a sigh and pulled the blanket over your shoulder, closing your eyes again.

There was a quiet knock on the window where your bed was placed under. You opened your eyes again and pushed yourself up from the matress. You huffed but leaned up to peak out of the window.

A soft smile grew on your face as you sat up on your knees to unlock the window and slowly open it to avoid making noises. After all, you didnt want to wake your cabin mates. Or attract any cantankerous harpies.

The window squeaked quietly when you slowly opened it. The window sill made a slight cracking noise when Luke stepped on it.

You offered your hand and he grabbed it tight when he carefully climbed into your cabin. He was just in his camp halfblood tshirt, grey sweatpants and socks, carrying his sneakers in one hand.

He gently stepped on your bed, holding your hand for support and put his shoes on the floor once he was inside. You leaned up to lean against his shoulders after he sat on your bedside.

"Hey." You murmured. You wrapped your arms around him and rested your head on his shoulder. He turned his head and kissed your nose. You scrunched it and Luke continued to pepper your face with kisses for a few moments which made you giggle. "Hey." He whispered back finally.

"Thought I would come around." He whispered and you lifted the blanket up for him to slip under it next to you. Luke fell onto the matress next to you and wrapped his arms around you. "Thats nice." You chuckled quietly as you rubbed your eyes.

You sunk back into your pillow with a heavy sigh and pulled Luke closer to you. He leaned up and rested his head on your chest.

You smiled widely and combed your hand through his hair, hair strands running between your fingers. "How are you?" You asked whispering. Luke only hummed and you thought he was too close to sleeping to give you a proper answer but then he whispered against your skin.

A warm summer breeze blew through the open window, carrying the smell of grass and salty water from the lake into the cabin. Luke sighed relaxed and inhaled the fresh air, his fluffy hair tingeling your chin.

"Tired." He grumbled softly. "How come?" You asked concerned while you brushed one of his curls from his forehead. Luke sighed slightly annoyed and buried himself deeper into your body. "Cabin is loud. We got a lot of newbies." He groaned quietly.

Luke often complained about the Hermes cabin being overcrowded. Which was true, it were too many people to an extend where you couldnt get out at night because the floor was covered in sleeping campers during the night.

Luke always got a lot on his plate with keeping his cabin in track, making sure they all arrive at the meals on time and finding a place for everyone to sleep. It got onto him sometimes, it wasnt a rare thing that he sometimes joined you in bed in the middle of the night. He was always craving your comfort and touch and sometimes it just got too much.

"Im proud of you, ya know?" You whispered while you gently rubbed Luke's shoulder muscles. The blond boy groaned in pain but leaned closer. You laughed quietly, massaging his hard muscles.

"Come on." You nudged his thigh with your leg and he pushed himself up to lay down between your legs to rest his head on your chest. You scooted a little more in the middle of the bed, which was barely enough for two people but it was sufficient. It was a good excuse to initiate some cuddling, when the two of you first started dating.

Your boyfriend exhaled calmly. "I like the kids. But sometimes its just too much." He whispered, you leaned down to see that his eyes were half-closed. He smiled at you lazily as you got back to rubbing his shoulder muscles.

"I know you like your kids. But you are allowed to feel overwhelmed. You got a lot to manage and you are doing a great job. Hell, i dont know how i would manage to make sure that a whole army of kids is kept fed." You chuckled into his hair. Luke leaned up to kiss your clavicel as it was right next to him.

"Thank you." He whispered back. There was a faint blush on Luke's cheeks and you took a moment to admire his beauty. His dreamy blue eyes were slightly glazed over but he smiled at you softly.

"I love your eyes." You whispered and leaned down to kiss his forehead. Luke smiled widely and propped his head up on his hands, looking up at you.

"One of the new kids said the colour is called 'old world blue' because it has a little yellow around the pupil." You hid your laugh behind your hand to not wake your cabin mates.

"I see. Maybe an Iris kid?" You suggested, still snickering lightly. Luke nodded eagerly. "Absolutly. She ran around the camp all day, telling people their eye colours. Did you know that Mr. D's eyes are not actually grape purple? They are indigo."

You smiled at Luke's excitement. "No, i was unaware." You chuckled. Luke layed back down and relaxed against your touch. His weight felt good on our body, it kept you grounded and helped you relax your own body. "You have to introduce me to her, i would love to find out what my eye colour is."

"I will. But no matter what colour it is, you are always beautiful." Luke whispered sheepishly. You laughed at how adorable he was behaving. "Thank you, my love." You snickered.

"Old world blue... that's my favorite colour ever now." You whispered into his hair. It was quiet for a few seconds before Luke mumbled back.

"I wonder what my new favorite colour will be."

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[mechanicalinfection]

y/n x springtrap request you say, yeh?

okay, have this:

springtrap trying to steal y/n's pizza while they're not looking

You've been sitting on the inbox 4 the moment you've requested this I'm so sorry anon, but but eurm

He's a sneaky bastard!!

[xofeno]

CHICAGO P.D. 6.15, "Good Men" (2019)

[romancemedia]

Aladdin and Jasmine - Cartoon & Anime Adaptions

[safirefire]

not now kitten, daddy’s hovering 4 feet off the ground in the studio bathroom thinking about his ex, the witch that cursed him into this cat body and- no don’t touch my legs!